So I have been reading Dayal Patterson’s Black Metal: Evolution of the Cult when I have downtime, which unfortunately is not often enough. It’s a fantastic book for a number of reasons, which I will go into when I do a review of it, which will happen when I’ve finished it. One of it’s greatest features, however, is how many bands it covers that don’t get talked about in these huge black metal compendiums (Gehenna, Lifelover, Graveland, and Von, to name a few). While I’m only about a quarter of the way through the book, I have already learned several things that I did not know before about bands that I either have come to realize I know very little about, or that I thought I knew everything about. For instance:
1) When Tom G. Warrior of Celtic Frost was growing up, his mother was a diamond smuggler and would leave him for weeks at a time when he was a small child. She later had a complete breakdown, and little Tom had to live in filth and destitution in a house with over 90 cats. There was no other family around for him to go to, and everyone in the town knew about his circumstances and did nothing. This living hell created the anger that fueled Hellhammer, and is a big part of why Tom G. Warrior doesn’t like to talk about his early band (36-37).
2) Von was sort of more of a legend than a real band, as they were originally only around for about five years. They never had any real output during that time; their demo stuff was later leaked, and they had no idea they were huge celebrities in the underground. They have like three albums called Satanic Blood (113-115).
3) Beherit is from Lapland. They win the award for trvest place to live (117). Also, Nuklear Holocausto, Beherit’s vocalist, is really into Buddhism and other Eastern philosophies (121).
4) Master’s Hammer inverted an entire church on the front of their Finished demo (101)! Also, the title of their latest album, Vracejte konve na misto, was taken from a sign in a Czech graveyard and means “put watering cans back in their place.” Which means that J’s jokes about the album being about gardening are not entirely off the mark (106).
5) And last, but certainly not least, the thing that I, the fangirl who believed that she knew just about everything there is to know about Mayhem, learned is: Necrobutcher was responsible for the vocals on Pure Fucking Armageddon, not Euronymous (132). (Blown. Away. Bigger geeks than me have always thought it was Euronymous.)
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That’s what I have for now. I’m incredibly excited to keep reading this book, and I will write a full review once I’ve done with it. In the meantime, I think it’s time to change up my blog tagline.
Ave.
-Hagalaz