Archive for the mayhem Category

I found a thing.

Posted in black metal, bootlegs, mayhem, true norwegian black metal with tags , , , on August 2, 2016 by blackmetallurgy

So I am on a cleaning mission. I’m tearing apart my apartment, because I only three bookshelves and they are all overflowing, and I have a closet and chest of drawers chock full of stuff I don’t wear and don’t need and don’t want, so I need to get rid of some of this crap. And my landlord is gonna be disappointed in me because the city people are supposed to come by and inspect tomorrow and it looks like a minor scale hurricane came through here but I don’t even care because when I’m done it will be awesome.

The important point to all this is that I have found things I didn’t realize I still had. Like burned CD copies of all the old Mayhem bootlegs.

Guess who’s gonna spend her afternoon listening to 47 different versions of Freezing Moon?

…Me. It’s me. I am.

-H

If there is an afterlife…

Posted in black metal, black metal history, dead, mayhem, memorial, Uncategorized with tags , , , on April 10, 2016 by blackmetallurgy

…I can’t wait to spin old Venom records and have a beer with Dead. Twenty-five years is a long fucking time, and I never knew you, but I still think about you a lot.

Rest in peace.

dead

I got this image from Blogspot, and props to whoever cleaned it up enough that you can see that beginnings of that gigantic smile. 

-H

Concert: Mayhem/Watain/Revenge (1/17, Mill City Nights, Minneapolis, MN)

Posted in . watain, canada, mayhem, mill city nights, minneapolis, minneapolis/st. paul, revenge, sweden, tours, true norwegian black metal, watain with tags , , , , , , , , , , , , on February 21, 2015 by blackmetallurgy

Well, over a month after it happened and almost two weeks after I wrote this thing, I am finally putting up my live report from the front row of the Mayhem show. I blame my not-nearly-as-quick-as-I-had-anticipated recovery from oral surgery (turns out, getting your wisdom teeth out when you’re 27 kind of sucks), as well as preoccupation with school (one month left til I start my prelims, y’all).

But anyway, here it is. I treated this review as of a co-headlining tour, as I picked up from The Internet that that’s what it was, with Mayhem and Watain alternating the closing spot each night.

***

A couple of weeks ago, I got the rare, rare chance to see two of my favorite bands on the same stage in the same night. I don’t think I need to tell you all exactly how I feel about Mayhem, and Watain likewise holds a special place in my heart. Currently, I am in the midst of cultivating a love of Revenge, who I have clearly not paid enough attention to, although I know that they are a favorite amongst some friends of mine. Considering that they were one of the bands I missed at Maryland Deathfest a couple of years ago, too, I was looking forward to the opportunity to see them live and make that up (although I absolutely do not regret trading my potential time with them at MDF for meeting fucking Ihsahn).

A and I tried to get there early this time, figuring that there would be a ton of people going. Earlier in the day, A told me that she had seen several dudes in black battlejackets roaming the streets in downtown Minneapolis, so you know something was brewing. It’s not every day that black metal fans roam downtown in packs in broad daylight. However, we really didn’t have to wait in line long at all, the ticket handling seeming to run rather smoothly.

When we got inside the venue, A and I made our way to the front to stake our claim on the rail. Revenge started us off, obliterating everything with sheer, military-grade force. A friend of mine said that the sound was really bad during their set, but I admit I didn’t notice; I don’t know Revenge’s catalog that well (I KNOW. I’M WORKING ON CHANGING THAT. JEEZ.), and anyway, everything is exceptionally noisy when you are that close to the speakers. Revenge played several songs from the breadth of their career, including “Altar of Triumph,” “Traitor Crucifixion,” and “Banner Degradation- Exile or Death.” Despite any potential issues with the sound, Revenge’s set was pure brutality, and their straightforward approach to war-inspired black metal made for a devastating clarity.


[Also, it was fun to see all the dude-friends freaking out like little schoolgirls. Masculine ones, of course.]

If you ever wondered if Watain pulls out ALL of their stage set for an co-headlining slot, I can now tell you: the answer is yes, indeed. The Dark Gods are not going to settle for anything less, not when they know what they can expect from Watain. Even though their set was shorter than a standard headlining one, Watain completely destroyed it, both theatrically and musically. All the ritual was there too, with E praying at the altar at the end of the set and everything. The only thing that would have made it more perfect would be if the crowd had not seized the opportunity to yell a lot.

Watain also played songs ranging throughout their albums; “The Wild Hunt” was of course the mystical ballad song this time around (I am finally ready to admit that I may have missed my chance to see “The Waters of Ain” live), but they also played “Underneath the Cenotaph” (which I don’t think they played last time), “I Am the Earth,” and “On Horns Impaled,” ending with “Malfeitor.” It was nice to see a setlist so varied from the last one I saw Watain play, and they even altered the stage set this time around too, with skeletons and cages replacing the fence-like structures they brought with them last time.


[I am pretty sure I caught a glimpse of black wings somewhere during Watain’s set.]

Last but certainly not least was my beloved Mayhem. Attila did not disappoint in his unusual fashion choices; this night he was wearing military trappings on an unbelievably ugly sports jacket, and what I believe were rain boots. Throw in the bottle of wine that Necrobutcher was plowing through and you’re ready for a Mayhem party. Teloch was right in front of A and I, fully decked out in shrouded hood and cloak, which is cool, because I really dug his riffwork on Esoteric Warfare and it was fun to see that reproduced live.

Despite the fact that Mayhem is undoubtedly touring in support of Esoteric Warfare, their set was not concentrated on the new album (and when you have such an extensive backlog and history as Mayhem, that’s not surprising). “Psywar” they played, of course, but the set also featured songs such as “My Death,” “Chainsaw Gutsfuck,” “Freezing Moon,” and “Carnage” (for which I completely lost my shit. I LOVE that song). Of course they opened with “Deathcrush,” as usual, and they also played a track from Grand Declaration of War- hearing Attila’s version of Maniac’s voiceover live is its own kind of awesome. “Funeral Fog” was conspicuously missing, but that’s alright; there was more than enough old school Mayhem to keep the crowd satisfied.


[Follow the Freezing Moon…]

And speaking of the crowd, the one at this show was not the best, or so I am told. A and I were right up front, as I said, so we were out of the press for the most part, but I do recall some moshing going on, something I’ve never really understood at black metal shows. Watain got on and off stage without P having to crush anyone’s hands this time, though, thanks to Mill City’s stage setup, and as I mentioned, the only thing that I would have liked is if the crowd had quieted at the end of Watain’s set. But I guess we’re not all there for the same thing, and that’s okay too.

I had a Mayhem night at the merch booth. I had planned on getting a Revenge hoodie because I love their hoodies, but they didn’t have any, and Watain had very little merch as well. However, I was able to nab myself a standard issue Mayhem shirt (good because as least one of my Mayhem shirts is falling apart), as well as a Mayhem hoodie. Combined with a high five from Necrobutcher after the show, and that makes for a pretty awesome Mayhem experience.

Pretty standard, but awesome nonetheless.

Pretty standard, but awesome nonetheless.

Hoodie front

Hoodie front

Hoodie back

Hoodie back

Surprisingly, I didn’t experience any issues with security this time, although they apparently made life a little hard for a friend of mine delivering a stage prop to Hellhammer (it was not, nor had it ever been, alive, if that’s what you’re wondering). The security guys in front of me and A seemed cool enough, and they kept a good handle on some of the rowdier crowd participants without using the opportunity to be jerks.

Overall, I had a great time. I got to watch two of my favorite bands share a stage, and I got to grow a little more familiar with Revenge, whose music I clearly need to spend more time with. For a show that fell right after Dead’s birthday, it couldn’t get much better.
-H

Hagalaz’ Valentine’s Playlist

Posted in black metal, death metal, grindcore, marduk, mayhem, NWOBHM, retro occult rock with tags , , , , , , , , , , , , , , , on February 14, 2015 by blackmetallurgy

Well, it’s that time of year again, when everyone starts pairing off in preparation for the annual spring mating season, which may or may not come to Minnesota this year considering that within the past couple of days we have plummeted into a second ice age. I will be spending MY Valentine’s day with some Schell’s Chimney Sweep and some retro sci-fi flicks, along with mini bundt cakes that my sent me in the mail. Which is really just as well.

Image from fuckyeahmetalecards on tumblr.

Image from fuckyeahmetalecards on tumblr.

But since nothing says “I love you” like a heaping pile of noisy extremity, I decided that I would post a playlist today for all your Valentine’s needs. So without further ado…

#11. Iron Maiden- 22 Acacia Avenue

For all the lonely hearts out there, Charlotte’s gotcha covered.

#10. Bathory- Woman of Dark Desires

Who knows how far Ms. Bathory’s desires went beyond bathing in the blood of virgins?

#9. Ghost- Monstrance Clock

Let’s play the word association game, boys and girls!

#8. Mayhem- Necrolust

Yeah, ok. So that’s pretty self-explanatory.

#7. Cannibal Corpse- Fucked With a Knife

You know. If you’re into that sort of thing.

#6. The Devil’s Blood- Cruel Lover

“I am the sound of the whip, and the pleasure of slaves…”

#5. Anal Cunt- I Respect Your Feelings as a Woman and a Human

Ah, romance.

#4. Gorgoroth- Unchain My Heart

Every time I hear this song or see the title, I’m reminded of the following, which was a big hit back when I was in junior high.

#3. Marduk- Bleached Bones

You know, in case you want some more necrophilia.

#2. Carcass- Microwaved Uterogestation

“Genital Grinder” is the obvious choice here. But you have to admit there’s something romantic about “Microwaved Uterogestation,” too.

#1. Celtic Frost- Tristesses de Lune

Because I love this song. So there.

So yes. Happy Valentine’s Day to you.

-Hagalaz

Mayhem at Burning Fist!

Posted in 2014, burning fist, mayhem, Reviews on July 10, 2014 by blackmetallurgy

Since I’m sure you all have been anxiously awaiting my endless gushing about how awesome the new Mayhem is, you can read my review over at Burning Fist!

Ave.

-H

Gratuitous Birthday Playlist 2014

Posted in 2014, black metal, blackened death metal, death metal, doom, local, mayhem, musings, stoner metal, traditional heavy metal with tags , , , , , , , , , , , , , , , , , on July 10, 2014 by blackmetallurgy

Well. This is late, and it’s late because I was busy being the birthday girl, something I don’t get to do very often because for some reason I’m always out of town on my birthday. But this year I wasn’t, and I spent a glorious evening with A at the HammerHeart Brewery followed by more hangs the next day with coworkers. And then I’ve been in Chicago, seeing Behexen (!) and Sargeist (!), which I will rave about soon enough.
However, here it is. My gratuitous birthday playlist for 2014!

***

1. Behemoth- O Father, O Satan, O Sun

I really love Behemoth’s new album, and I’m going to be working up a review for it soon. Suffice it to say for now that this song hits me right in the feels.

2. Iron Maiden- The Evil That Men Do

I kind of skipped Iron Maiden, having plummeted face first into symphonic black metal (I grew up on classical music. It was a natural progression). However, countless hours of listening to Maiden at DJ night over the past year has shown me the error of my ways, and I’m devouring this stuff like candy lately.

3. Behexen- Death’s Black Light

Behexen is on here because holy crap I got to see them the other night. That’s nuts. I never thought that would happen. They played this song too…

4. Sargeist- Let the Devil In

Also Sargeist. In terms of things I never thought I’d see live, they rank slightly higher than Behexen.

5. Arckanum- Þjóbaugvittr

I’ve been listening to a lot of Arckanum lately too. I love how meditative it is- the music is atmospheric and repetitive, but the subtleties in the melodies ensure that it never gets boring. Plus, Shamaatae is one of the most interesting figures in black metal to me, and I feel like Arckanum often gets overlooked.

6. Mayhem- Watchers

Y’all know already about me and Mayhem. Just like any long-time fan, I held my breath until I heard their new album, and was pleased to find that I loved it. Especially this song. Those riffs.

7. King Diamond- A Mansion in Darkness

Having secured my King Diamond ticket for St. Louis (!!!), I have also been listening to a lot of his solo work recently. I know Mercyful Fate much better, and I decided that it was nigh time I made myself more familiar with the King himself. This is probably my favorite track on Abigail– I love haunted houses.

8. Sleep- Dragonaut

My all-time favorite Sleep song. Dat bass. Dat doom.

9. Teitanblood- Silence of the Great Martyrs

We’re only halfway through, so I have yet to know for sure, but Teitanblood’s new one, Death, just might be my favorite album this year.

10. House of Atreus- Bastards on the Hillside

I’ve also been jamming out a lot to local legends (and good friends of mine) House of Atreus. Their new EP is brilliant stuff, and I have a review lying around here somewhere that I need to get edited…

11. Dissection- Dark Mother Divine

Shut up. I like this album.

***
So that’s it. My birfday playlist for THIS year. Watch this space- like I said, I’m in the editing stages of my House of Atreus review, and about to start on one for the new Behemoth. I got bit by the black metal bug BAD this past weekend, so I’m probably going to be churning out stuff more frequently again (also I will try to get up a review for the shows I saw in Chi-Town last week).
Ave!
-Hagalaz

Happy Belated 20th Birthday, De Mysteriis Dom Sathanas!

Posted in 2014, black metal, black metal history, mayhem, norway, true norwegian black metal with tags , , , , , on June 4, 2014 by blackmetallurgy

I remember the first time I heard Mayhem. It was probably November of 2009, and I was sitting on the floor in my room in my home town, my laptop on the floor beside me, wrapping a Christmas gift for my mom (Yes, it was early. I was living at home that year and I wasn’t home when she wasn’t very often. I had to seize the moment). I had just begun to delve deeper into black metal that wouldn’t get me made fun of, and I’d been marveling at Marduk and jamming out to Immortal on Pandora all day. And I had heard about Mayhem (I’d heard PLENTY; 21 year old me was pretty squeamish, and I wasn’t sure how I felt about the whole thing), but I had a hard time imagining that they could really be all that good. After all, they were famous for dying prematurely, yes?

And then Funeral Fog came on my Pandora station. It was love at first blastbeat. I grabbed my laptop, and by the time the song was over, Amazon.com was processing my order of De Mysteriis Dom Sathanas.

Mayhem’s first full-length record has awed, inspired, and baffled metal fans the world over in its 20 year life span. While many aspects of the music are inexplicable (a friend of mine told me that he just couldn’t seem to figure out “what Attila was going for with those vocals” no matter how much he listens to it), huge swaths of the thing’s history are just flat out unsettling. For instance, DMDS remains, to this day, the only record on which a murderer plays alongside his victim. Not to mention the fact that the lyrics to Life Eternal are part of Dead’s suicide note (I’m still trying to decide if I find that inclusion sweet or creepy). But despite its struggles the little album that barely could has become an integral part of black metal history, and remains required listening for anyone remotely into extreme metal.

And while yes, I am sure, we would have all loved to hear Dead’s vocals on the album (or at least on a super-secret, previously unreleased version of it), I personally have always liked Attila’s vocal work on DMDS. Yes. It is weird. But who better to get to do vocals on songs written by a man who died in his “I Heart Transylvania” shirt than a brilliant Hungarian musician with an impressive track record (Tormentor was quite a big deal. That pesky Iron Curtain kept getting in the way, though)? The vocals are unconventional, yes, but they are creepy as hell, and considering the legacy that Attila was acting as a part of, creepy far outweighs traditional. Plus, his chanting on the title track is chill-inducing.

But vocals aren’t the only big deal with DMDS. We also must pay homage to the musical stylings of black metal’s godfather himself, Euronymous, whose intentionally-shitty-sounding tri-tone chord spawned an entire subgenre. De Mysteriis was dedicated to Euronymous,- who died before it was released- and rightfully so; while Deathcrush is absolutely fantastic, it doesn’t represent the second-wave that has, for the most part, become synonymous with the entire subgenre in the way that DMDS does.

And of course those drums. The thing that got me. Hellhammer is a god on the kit, and I am a firm believer in the suggestion that the album that became the defining line for black metal in the 90s would not have existed in the same form without Hellhammer’s musicianship. It certainly would have never seen the light of day without his determination to push through and get the damned thing done, despite the horrific hardships that plagued the band.

There are a million reasons why De Mysteriis Dom Sathanas deserves a birthday notice, even if it is a little bit late. That bass riff on Pagan Fears is simply one of them (I figured I’d throw a bass shoutout in there, even though I don’t have a very high opinion of Mr. Vikernes and Necrobutcher didn’t play on the album). However, perhaps it’s greatest accomplishment is its monumental status as a relic representing both the birth of a new era and the demise of an older one.

Well, that, and the fact that, despite two horrendously violent deaths, jail sentences, Iron Curtains, and enough disharmony to fuel the powder keg that was Mayhem in the late 80s and early 90s, we actually have an album like De Mysteriis Dom Sathanas to listen to.

-H