Archive for carcass

Hagalaz’ Valentine’s Playlist

Posted in black metal, death metal, grindcore, marduk, mayhem, NWOBHM, retro occult rock with tags , , , , , , , , , , , , , , , on February 14, 2015 by blackmetallurgy

Well, it’s that time of year again, when everyone starts pairing off in preparation for the annual spring mating season, which may or may not come to Minnesota this year considering that within the past couple of days we have plummeted into a second ice age. I will be spending MY Valentine’s day with some Schell’s Chimney Sweep and some retro sci-fi flicks, along with mini bundt cakes that my sent me in the mail. Which is really just as well.

Image from fuckyeahmetalecards on tumblr.

Image from fuckyeahmetalecards on tumblr.

But since nothing says “I love you” like a heaping pile of noisy extremity, I decided that I would post a playlist today for all your Valentine’s needs. So without further ado…

#11. Iron Maiden- 22 Acacia Avenue

For all the lonely hearts out there, Charlotte’s gotcha covered.

#10. Bathory- Woman of Dark Desires

Who knows how far Ms. Bathory’s desires went beyond bathing in the blood of virgins?

#9. Ghost- Monstrance Clock

Let’s play the word association game, boys and girls!

#8. Mayhem- Necrolust

Yeah, ok. So that’s pretty self-explanatory.

#7. Cannibal Corpse- Fucked With a Knife

You know. If you’re into that sort of thing.

#6. The Devil’s Blood- Cruel Lover

“I am the sound of the whip, and the pleasure of slaves…”

#5. Anal Cunt- I Respect Your Feelings as a Woman and a Human

Ah, romance.

#4. Gorgoroth- Unchain My Heart

Every time I hear this song or see the title, I’m reminded of the following, which was a big hit back when I was in junior high.

#3. Marduk- Bleached Bones

You know, in case you want some more necrophilia.

#2. Carcass- Microwaved Uterogestation

“Genital Grinder” is the obvious choice here. But you have to admit there’s something romantic about “Microwaved Uterogestation,” too.

#1. Celtic Frost- Tristesses de Lune

Because I love this song. So there.

So yes. Happy Valentine’s Day to you.



Concert: 3rd Annual Decibel Tour- Carcass/The Black Dahlia Murder/Gorguts/Noisem (4/4, Mill City Nights, Minneapolis, MN)

Posted in canada, concerts, death metal, england, mill city nights, minneapolis, minneapolis/st. paul, united states with tags , , , , , , , , , , , on April 14, 2014 by blackmetallurgy

Note: My apologies for the formatting weirdness. I don’t know what’s going on.


Friday night I headed down to downtown Minneapolis to see the mighty Carcass! I saw them last year at Maryland Deathfest, but as a short person I had some trouble seeing everything (and I had to leave a little early), so I was looking forward to seeing them in a smaller venue. Plus I geeked out pretty hard over Surgical Steel– it was easily one of my favorite albums of last year.
When we got to the venue, Noisem was already playing, and we took the opportunity then to visit the merch booth. All of the bands had some pretty awesome stuff; my favorite thing was probably the Reek of Putrefaction coffee mug that Carcass had (I talked myself out of it because I decided that I probably don’t actually want to drink coffee out of an autopsy mug). I actually ended up with the girly shirt for once- they were out of mediums, which ended up being fine because the large fits me pretty perfectly. I liked how the shirt references both Reek of Putrefaction and Surgical Steel simultaneously, somewhat representative of the band’s career.

Also, pink blood-splatter!

Also, pink blood-splatter!


Despite going shopping and saying hello to friends during part of it, I heard enough of Noisem to appreciate them (once again, I didn’t see a whole lot as I was stuck at the back at this point). Noisem plays old school, mid-90s era death metal; a friend said that he almost expected them to be wearing skater shoes and surf shorts. I need to spend some more time checking them out, because I really liked what I heard.

[Yet another brilliant band I missed at MDF last year. And that guy’s wearing a Minor Threat shirt! Win!]

Next up was Gorguts, who were spectacular. I don’t know much about Gorguts at all, to be honest, besides their last album Colored Sands, which I really loved. I am incredibly picky about my death metal, as I’ve said a million times before, and the band’s more recent output has been really enjoyable for me despite it being more technical than I generally like and more proggy. I thoroughly enjoyed their set, all the way down to their weird percussion on the drum kit.


I wasn’t all that thrilled to see The Black Dahlia Murder- to be fair, I’ve never really listened to them, but they have one of those names that makes me skeptical. It wasn’t bad; they do what they do really well, even if it is a little bit too breakdownish for me at times. At least there weren’t any clean vocal choruses. Their bassist did really impress me, as he was finger-picking everything and playing some really fast stuff. Also, the kids really dug TBDM’s set and responded with tons of crowd surfing and moshing.

[His stomach-tattoo wasn’t doing it for me. Especially with the hashtag that it now has in front of it. o_O]

Last but certainly not least was the mighty Carcass, who made a comment about how everyone had gotten tired during The Black Dahlia Murder’s set and didn’t want to party with them (I heard from J, who is in Georgia now, that this is apparently a trend on this tour). Of course, the juxtaposition of the two bands makes you realize how much Carcass has slowed down since their gore-grind days, but I was thrilled to see them, considering that I missed the end of their set at Maryland Deathfest last year. And Carcass is exactly the kind of death metal I love- punky, with gratuitous, senseless violence.

They showed film clips during the set of really disturbing images, like surgeons cutting open body parts, etc. Of course, the music made a perfect soundtrack to these clips. Carcass played some songs from every album; unsurprisingly, most of the focus was on Surgical Steel, but they played some old grindy tunes and even a couple of tracks from Swansong, about which Jeff Walker made a joke about clearing the room. They also played “Captive Bolt Pistol,” which they claimed was their “ballad.” While I tend to get really tired during death metal sets and can’t really abide much more than an hour of a death metal band, Carcass has enough variation in their catalog that it never got tiring.

[Why did no one ever tell me that Bill Steer is HOT?!]
All and all, it was a great round three for the Decibel Tour. I’m interested to see the package they’ll put together next year- I’m still crossing my fingers for a Viking tour of some sort. Or maybe an obscure black metal tour, and they can help a band like Mgla get over here and stay awhile. Carcass was as completely fulfilling as I had hoped they would be, and I’m happy I had the opportunity to see Gorguts in a smaller venue as opposed to the monstrous crowd at MDF. The other bands pleasantly surprised me; a thoroughly enjoyable evening.
Keep an eye out over here. I’m going to be getting more active again. Promise.

Maryland Deathfest XI Recap (Part I)

Posted in death metal, festivals, grindcore, musings, united states with tags , , , , , , , , , on May 31, 2013 by blackmetallurgy

Maryland freaking Deathfest. Oh my gosh. This past weekend was completely nuts and a time bubble- I still can’t really believe that me and my friend A arrived in Baltimore a week ago. Between broken jetways, reassigned gates and hotel room confusion, we are lucky that we got there and got settled in at all. But we did, and ordered sushi delivered by a young man who told us that he was “the guy in the black shirt with the white writing” and couldn’t seem to understand why we couldn’t find him on the street outside of the hotel in the swarm of metalheads. The rest of the evening involved light napping, and after J arrived, a trip to a WalMart in the middle of a darkened field, which was only mildly terrifying.

Baltimore, I have noted, is a kind of scary place when you are from rural Oklahoma.

 We stayed at the Radisson Lord Baltimore, and even though they told me when I booked the room that we would have two double beds, we ended up with only a single king bed and had to take turns for who slept on the floor. The elevators were also super slow pretty much all weekend, and kept going down to the lower levels, where there was weird music playing at one point. Creepy. Anyway, the hotel itself was fine minus the really, really annoying thing with the bed and the understaffed coffee shop that made for super slow service in the mornings; the staff were super nice, for instance.

The view was not so great.

The view was not so great.

Beautiful downtown Baltimore!

Beautiful downtown Baltimore!

Also this was weird.

Also this was weird.

So Thursday evening we retreated back to the hotel, snacks and coolers in tow. We decided to get some food for the room so that we could save money on food at the fest. It was helpful, but you should remember to restock the ice so your strawberries don’t end up floating in lukewarm water. Then we went to sleep trying not to think about the fact that we were missing Bolt Thrower.

The next day we woke up late but mostly rested from the previous day’s travel and stuffed our faces with Cliff bars and snacks before heading to the Former Sonar Compound. The primary goal of the day was to see Pig Destroyer and Carcass, but we also caught part of Benediction’s set. I didn’t know who they were, but they hadn’t played in the States since the mid-90s, and I really enjoyed what I saw of their show.

Benediction, Death Metal from Birmingham.

Benediction, Death Metal from the U.K.

Then we went to get up front for Pig Destroyer, who were everything I had hoped they would be. A big pit formed, but it was the fun kind in which no one is actually getting hurt or being assholes. They also had a female vocalist doing guest vocals on a couple of songs; I’m not familiar enough with Pig Destroyer to know for sure who she was, but I’m assuming she might be Katherine “Kat” Katz, who did guest vox on Book Burner. The vibe in the crowd was fantastic, and the set was a lot of fun.

Pig Destroyer!

Pig Destroyer!


Being short sucks.

Female guest vocalist.

Female guest vocalist.

That was some pit.

That was some pit.

[It is her, apparently. So much fun. I miss going to grindcore shows.]

We then wandered around for a bit, catching glimpses of Repulsion’s set while meandering through the endless booths full of merch. I had a discussion with an enthusiastic shirtless dude named Zack and his friend about Satanic black metal, which was fun. I also got to meet Annick Giroux, who published the Hellbent for Cooking metal cookbook, which I have made things from and really enjoyed pouring over. Also at the Bazillion Points table was a guy who was extremely stoked about my Arne patch that I’d gotten with my Slayer Mag Diaries and snapped a picture of it. They had awesome aprons for sale, and I did not buy one quickly enough (alas!), which was the first of many lessons in buying what you want while you can get it- the shirts sold out of small sizes pretty quickly in a lot of cases, and I missed my chance at Mgla and Candlemass patches. They also had Layna Dawes’ new book, What Are YOU Doing Here?, which I really wanted a copy of and planned on buying Sunday, but they had shut down the table early and I ended up not getting a copy of it there.

Carcass was… was Carcass. I’m still a little dumbfounded that I saw Carcass do anything at all, although my height (or lack thereof) kept me from seeing most of it. They sounded incredible, and put on a great show, at least for what I saw of it. I had to cut out a little early, but it sounded good still from outside the gates, and the crustpunk kids who lurk in the parking lot seemed to enjoy it too.



It occurred to me that I could hold my phone above my head and manage to get ok photos despite my lack of height.

It occurred to me that I could hold my phone above my head and manage to get ok photos despite my short legs.

One of the most fun random things about MDF for me was the people you meet while you are milling around/ watching sets. I met a cool English dude in the Carcass crowd who told me all about Roadburn this past year and offered me some blackberry vodka (No, thank you, I know it is a trap and does not taste like blackberries at all), and dance-partied with a dude named James from Ottawa from the Pig Destroyer pit. That pit was also my first sighting of Chicken Man, who wore his chicken suit faithfully all weekend. Also a young man dressed as a taco handed me a flyer from his band Autolatry, which I told him I would plug wherever I could. You can check out their bandcamp here.

Taco Man!

Taco Man!

Aaaand that’s about it for Day I. (And that was the short day). I’ll be back again soon with more stories from MDF, including how I have developed a love of Vegan hotdogs and how I saw Aosoth AND Antaeus within 3 hours of each other.

(Go to Part II.)

Until then,


More Great Stuff You (May) Have Never Heard Of

Posted in black metal, black metal history, death metal, doom, norway, sweden, underground with tags , , , , , , , , , , , on November 12, 2012 by blackmetallurgy

Well, I’ve been reading more of Metalion: The Slayer Mag Diaries, and as such I have been finding more obscure bands lurking in the underground that never quite got the attention they deserved (or garnered that attention later, when they became something else). Thought I’d share some more of them with you.

The 3rd and the Mortal (NOR)

The 3rd and the Mortal is a band from Trondheim, Norway, who originally played melodic doom metal. Later they moved to a more poppy sound, but it’s the early stuff I wanted to focus on for today. Their metal releases, the “Sorrow” EP and their first full length album Tears Laid in Earth were both released on Metalion’s Head Not Found record label.

[Trancy. Good meditating music]

The female vocals are really lovely, and the music is overall very stirring. Wish they had done more metal albums! The band’s lyrical themes include natural landscapes and sadness, which is, I feel made clear through the melancholy feel of the music. Lovely stuff.

[Her voice. Oh my]

Both these early albums came out in 1994, after which the band turned to pop/industrial/experimental music. They are now broken up, and have released two compilations, one of which is comprised of EPs and rare pieces.

Furbowl (SWE)

Furbowl is a Swedish band that you are probably more familiar with by proxy than you realize. They started off as Devourment, then changed to Furbowl, then to Wonderflow, then back to Devourment when they came back in the 2000s. Incidentally, looking up “Furbowl” on YouTube will find you all sorts of interesting things.

[Not least of them being this song, which, yes, is about sharks]

One of Furbowl’s members is Johan Liiva, who used to be in Carcass as well as in Arch Enemy. So, although you may or may not have heard of Furbowl, you’ve certainly heard of the other bands with which Furbowl are connected. The death metal world is a small one.

[Some really, really early stuff]

Furbowl only has two full length albums (at least under the name Furbowl) called Those Shredded Dreams and The Autumn Years. However, they also have put out their fair share of demos (the above is from the first one) as well as a compilation, which they released in 2010.

Merciless (SWE)

Another band to have changed their name several times, Merciless is from Strägnäs, Sweden. Merciless was the name they settled on after cycling through the names Obsessed and Black Mass. They were one of the very first thrash/death bands to come from Sweden, according to Encyclopedia Metallum, getting their start as early as 1986. Unlike most of the bands I talk about in these segments, Merciless is still active, their last release being a self-titled full length in 2003 and a DVD in 2004.


Merciless is probably most famous as being the very first band signed to Euronymous’ Deathlike Silence Productions. Their first full-length album, The Awakening, was released through DSP. Not long after Euronymous’ murder the band broke up (1994), but they reformed in 1999 and have been going strong since.

[From their 2003 self-titled release]

Though Merciless plays thrashy death metal, their lyrical content is very much in line with second-wave black metal, referencing hatred, war, and anti-Christianity. Like many of these bands likely are, Merciless is referenced in Daniel Ekeroth’s Swedish Death Metal book (I really need to get my hands on that thing).


And there you have it. Some more cool stuff from the underground. I am taking notes as I go through this book and trying to familiarize myself with some of these important early bands that are not paid much attention anymore. So far it’s been a fruitful venture; who doesn’t like to listen to ragged 80s Swedish death metal demos?

I have a lot of cool ideas that I plan on implementing soon, but this week is already looking crazy. I’m trying to get school stuff out of the way in time for the break next week (so that I can actually have a break. That’d be nice), so I’m not sure when I’ll have something up next. Sometime this week, for sure, but Thursday might be pushing it.

Until next time, content yourself with these guys, who also made it into Slayer at one point.

[Some cool stuff in the old Slayer ‘zines]