Archive for the satan Category

More Pics from Behexen/Sargeist

Posted in battle jacket, black metal, chicago, concerts, finland, orthodox black metal, psychedelic rock, retro occult rock, satan, underground, united states, USBM, war metal with tags , , , , , , , , , , on July 27, 2014 by blackmetallurgy

As promised, some pics from black metal weekend. It occurs to me that I must not have gotten any pics of Behexen- was too busy headbanging I guess. Enjoy!

My farewell party. He was displeased that I was gone all weekend.

My farewell party. He was displeased that I was gone all weekend.

The lovely A at the Beat Kitchen, rocking the Emperor shirt

The lovely A at the Beat Kitchen, rocking the Emperor shirt

Kommandant's vocalist. His new get-up is terrifying

Kommandant’s vocalist. His new get-up is terrifying

Kommandant

Kommandant

Just one of the many curiosities from the awesome sushi place/Japanese grocery store

Just one of the many curiosities from the awesome sushi place/Japanese grocery store

Mugging for the camera with my bow to match my battle jacket

Mugging for the camera with my bow to match my battle jacket

Kvties

Kvties

Jex Thoth

Jex Thoth

I liked her dancing

I liked her dancing

Sargeist

Sargeist

Ave.

-H

Concert: Sargeist/Acid Witch/Empyreus/Strix Nebulosa/Jex Thoth (7/6, Beat Kitchen, Chicago)

Posted in black metal, chicago, concerts, death metal, doom, finland, orthodox black metal, psychedelic rock, retro occult rock, satan, underground, united states, USBM with tags , , , , , , , , , , , , , , , , , , on July 25, 2014 by blackmetallurgy

***NOTE: Alas, there are no vids this time. For some reason, WordPress (or this post in particular, perhaps) is not letting me embed videos. So I don’t have those for you. I do have a few pictures from the shows, but they aren’t all uploaded on my computer so I will have to do a follow up post of those.***

Night two of my and A’s black metal weekend was a significantly longer bill, featuring a wide range of music. I was a bit in shock that I was going to get to see Sargeist- I figured that would never happen, even less of a chance than Behexen. Also, I was looking forward to seeing Acid Witch as A really loves them, as well as Jex Thoth, because I have fallen pretty hard for that weird 60s occult rock stuff. The crowd was also substantially bigger than the previous night; I think a lot of people were there for Acid Witch, as they don’t seem to play live often. Also, as I mentioned before, I think Sargeist live is an even rarer event than Behexen.

The show started off with Jex Thoth, who danced up on stage wearing a Red Riding Hood-like cape (I have a similar one, actually!) and carrying burning sage. As much as I love my black metal, I’d say that she was seriously in danger of stealing the show- the crowd adored her, and she would often jump down into the crowd to give people sage to hold and to whisper in certain people’s ears. For me, the performance was really cool because it was such a huge contrast to The Devil’s Blood- Jex Thoth is constantly in movement when she’s performing in direct contrast with The Mouth of Satan- even though the music evokes the same era. It was very cool to see the Satanic 60s depicted in a different way.

Next up was Strix Nebulosa. Their approach to black metal was an interesting one considering the crowd- these guys seem to use a more pagan, nature-y commentary on the genre as opposed to a Satanic one. When the vocalist announced that “there is no God, no Satan, only Nature,” A and I exchanged looks; them’s strong words in that crowd. I missed the very first part of Strix Nebulosa’s set, but ended up catching most of it, and I have to say that I enjoyed what I saw. It’s not easy to pull off two-man black metal, and they managed to do it well.

The next band was a local Chicago band called Empyreus, whom I really enjoyed. Empyreus’ style of black metal was more bombastic than Strix Nubulosa’s, and you could tell that this group had been playing together for quite a while. I saw a number of people in the crowd sporting their shirts, so they clearly are well known locally. Their original stuff was excellent, and as an added surprise they played a very well received cover of Celtic Frost’s “Morbid Tales.”

After Empyreus, we switched gears entirely, moving on to the deathy doom of Acid Witch. As I mentioned above, I never really listened to Acid Witch, but considering that horror movies are my other big geekery, I am officially a fan now. Their use of synth is really cool, and I love the cackles that the vocalist throws in. Unfortunately, there seemed to be some miscommunication between the band and the venue in terms of how much time they had- Acid Witch had two more songs to play when they were told they had to stop. The crowd was upset, as seeing Acid Witch play is seemingly a rarer occurrence than I had realized, but in the interest of not pissing off the Finns (they don’t seem like the type you’d want to piss off), it was probably for the best. The guys from Acid Witch were also super cool and very professional about the whole thing, and I enjoyed getting to talk horror movie soundtracks briefly with them.

Finally, Sargeist took the stage, plunging us once again into Satan sans the Sam Rami-esque camp. By this point my neck was starting to get understandably sore (I haven’t done two nights in a row in quite a while), but I couldn’t help but bang my head anyway. My heart jumped up in my throat when they played songs that I knew from listening sessions with J, and it was cool to see several of the same guys in a slightly different element than the previous night. I assumed that they would just use the same members for each night, but turns out they brought the whole crew- while Shatraug (guitar), Horns (drums), and Hoath Torog (vocals) were back for round two, another guitarist and bassist joined them on stage.

Sargeist started out with “Satanic Black Devotion,” and also played “Black Fucking Murder” from the same album. After the show, a couple of friends of mine suggested that hearing “Let the Devil In” would have made the night just that much better, but damn if it wasn’t a hell of a show anyway. Sargeist played a little bit longer than Behexen did the night before, but the night was still entirely too short. On the way out, I thanked Shatraug for the wonderful weekend and wished him and the bands safe travels on their tour before heading back to the hotel for a much needed shower and to split a bottle of Surly Pentagram with A.

As I mentioned last time, Sargeist was completely out of merch, so I didn’t end up getting anything from them but the patch from the night before (which is good, honestly- it meant I had gas money to get back to the Cities). I ended up with a Jex Thoth shirt. The merch guy asked if it was ok if it had European tour dates from 2012 on the back, and I said sure, that I thought the little demon dude on the front was cute. He reminds me of Clive Barker’s artwork, or of the little wolf dude from the new Arckanum record.

20140717_164651

A little blurry. But you get the picture (no pun intended)

Europe dates I didn't go to

Europe dates I didn’t go to

Overall, it was a killer weekend, and I’m very happy that I finally mustered up the courage to get down to Chicago to see someone. The trip down, I learned, is actually not all that bad, although the construction outside of Chicago (which I’m told has been there for a couple of years) was a real pain. I’ve never been to a city the size of Chicago, and I still haven’t really considering that A and I acted like stereotypical black metal fans and didn’t really leave our hotel, but considering the shootings that went on that weekend that’s probably for the best. Despite that, I know now that it’s not the worst drive to get down there, especially if we leave early, and that Chicago is a perfectly reasonable destination to travel to for concerts.

Also, I saw two bands that I never thought I’d get to see live, and they were incredible. This weekend helped remind me of why I love black metal so much, and I’m really grateful that I had the opportunity to see Sargeist and Behexen.

Infernal hails!

-Hagalaz

 

 

Review: Teitanblood- Death

Posted in 2014, black metal, blackened death metal, death metal, Reviews, satan, spain, underground with tags , , , , , , , , , on May 26, 2014 by blackmetallurgy

It’s no surprise, I’m sure, that I was pretty much bouncing off the walls in anticipation of the new Teitanblood album. I have liked them ever since I stumbled across them… somewhere. I think it may have been the fact that they are on Noevdia, a label that has yet to let me down. I was intrigued to see what this one would sound like, since Seven Chalices is quite unlike anything else I’ve ever heard, and I positively loved Woven Black Arteries (I gave it a spot on my best of list in 2012. And it only has two tracks!).
Needless to say, probably, I wasn’t disappointed. I’m not making any official claims yet because there have been some other stunning albums come out this year already (looking at you, Mr. Warrior), but Death truly might be my favorite album of the year so far. Death is an incredible onslaught of gnarly, blackened, churning noise. It reminds me much more of Teitanblood’s later stuff like Woven Black Arteries and Purging Tongues than Seven Chalices, and I actually like that better (note, I like Seven Chalices, it’s just that it’s one of those I’m still trying to wrap my head around. It is still pretty baffling to me, and I do not think that is a bad thing). The first track, “Anteinfierno,” sets the stage for this blistering masterpiece, providing a near five minutes of thundering chaos.

Although Teitanblood is as chaotic and as noisy as always, Death nevertheless incorporates a substantial amount of structure. For all its unrestrained clamor, it nevertheless periodically shifts back to a riff that you can bang your head to for a bit, allowing for you to become a little grounded before being flung back into the madness. “Sleeping Throats of the Antichrist,” one of my favorite tracks on the album, showcases this really well. The riff at 9:15 is a good example of this returning to some kind of sane footing in an otherwise slippery song. It also provides a good example of one of my favorite parts of Death, which is the mixing.

Teitanblood has done… something… with the mix on this album. I don’t know what it is, entirely, but the low end occasionally drops out and sounds like it was recorded in some kind of chasm. The aforementioned riff is a prime example of this, and it’s always a puzzling and welcome addition when those parts drop in. “Cadaver Synod” also utilizes this type of mixing. Another cool aspect of the production on Death is the ambient noise that constantly permeates the album. While the production on Death is certainly not as low fi as that on Seven Chalices, it retains a noisy, white noise background that makes it feel as though there is constant movement. Between the dull roar in the background and the squeals of the guitars, it’s difficult to tell if Death has as many chanted vocals as I think I hear, or if that’s all just a part of the cacophony. Considering that I love my noisy black metal, I think that is awesome.

Perhaps the only time that the roar ceases is in the final track, appropriately titled “Silence of the Great Martyrs.” In typical bewildering fashion, the track has a lengthy pause halfway through, followed by eerie guitar noise, chimes, and chants that take you through to the records end. This makes for an especially fun experience if you are, say, listening to the album in your car, and you end with chimes and begin again with “Anteinfierno,” which is the equivalent of getting your face smashed with a brick in a good way.

Because I’m a dweeb, I bought Death on both CD and vinyl, and it sounds lovely on both. In regards to the vinyl, the aforementioned low-end parts sound reedier and feel like they almost have a buzz to them. Also, the sound on the vinyl is even fuller than on the CD, inasmuch as that is possible (really, the production on this thing is insane. I love it).

I just included pictures of the vinyl because it's so much bigger.

I just included pictures of the vinyl because it’s so much bigger. The CD has exactly the same stuff.

And it's a double LP, because of course it is. Three of the tracks clock in at well over 10 minutes.

And it’s a double LP, because of course it is. Three of the tracks clock in at well over 10 minutes.

One thing that was a letdown for me as far as Death is concerned is the album art. Having been completely spoiled by all the awesome artwork on Seven Chalices, I was expecting a like amount of creepy, Satanic sketches in the new album. There’s very little to the liner notes at all, however, other than the lyrics and some arcane symbols. That, and the picture of the band, which reminds you that, yes, that is two dudes making all that racket, just in case you forgot.

This is all we get.

This is what we get.

The gentlemen responsible.

The gentlemen responsible.

Unfortunately, none of this stuff this time around.

Unfortunately, none of this stuff this time around.

When I get a new album, I usually leave it in my car stereo for about a week until I switch it up again. Death sat in my car for 2.5 weeks when I first got it, and I still am unable to get enough of it. One of the reasons why I love my Noevdia bands so freaking much is that they are so internally complicated. Every single time I listen to Death I hear something new- it’s a noisy treasure trove of chaos, and just like the esoteric texts Teitanblood emulates, Death is going to require some serious study to truly grasp its secrets. 5/5 Lucifer sigils from me.

Hagalaz’ Favorite Tracks: Oh, I dunno. Pretty much ALL OF IT.

Ave. H.