Archive for local

Review: House of Atreus- Into the Brazen Bull

Posted in death metal, local, minneapolis, minneapolis/st. paul, Reviews, underground, united states with tags , , , , , , , , on July 16, 2014 by blackmetallurgy

I have to say, I’m totally stoked by how much attention House of Atreus has been getting lately. They are one of my favorite local bands comprised of some of my favorite people, and it’s great to see their hard work paying off. The band’s new EP, Into the Brazen Bull, is an especially cool artifact for me because of just how many people I know involved with it; along with the band, I’m friends with the graphic designer and the owner of Antitheist Disseminations, the label on which it was released.

That being said, I am still going to try to be as objective as possible without letting the fact that I’m friends with these dudes cloud my judgment. But THAT being said, I really do love this EP, as I’m super picky about my death metal and ItBB is exactly the sort of thing I really dig.
The opening track, “Bastards on the Hillside,” is a fantastic way to start a death metal album. It’s a fun track, fast-paced and with a great fist-pumping moment about 33 seconds in. In particular, the layering of the guitars lends the track a grandiose feel, as well as setting the precedent for the rest of the album in terms of riffs that absolutely kill. (Hint- this is probably one of my favorite live songs of theirs.)

The riff onslaught and warlike themes continue with “Seed of Discord,” which opens with a sample of a battle. “Pitiless Chains” sees a shift in approach, beginning with a mid-tempo section followed by some really heavy guitar work- the layering that appears in so much of House of Atreus’ work is here supplanted by unison guitars. I’m not crazy about this track, I’ll admit- I prefer the band’s faster pieces. However, I think the inclusion of “Pitiless Chains” gives the album an added dimension as it shows the band is capable of more than just lightning fast riffing.

[The Youtube user mislabeled this; this song is actually “Pitiless Chains”]

Into the Brazen Bull, the title of the EP, is a reference to a particularly nasty form of execution in ancient Greece in which the condemned was locked inside a large bronze bull, a fire set underneath in order to slowly roast him to death. When the unlucky criminal screamed, his cries would filter through the mouth of the beast in such a way as to sound like the lowing of the animal. Of course, then, the title track must open with the eerie sound of a bull lowing, the crackle of flames audible underneath. This track is another favorite of mine, as the meter shifts quite a bit, showing off the drumming skills of session drummer George Tzitifas. Tremolo picking near the song’s mid-point gives it an unexpected black metal feel as well.

In a fitting frame to “Bastards on the Hillside,” the EP ends with “In the Shadow of Foreign Horses,” another blistering track perfect for banging your fucking head to. The descending riffs are quite awesome, and I like how they seem to decrescendo in the mix. Like in the previous track, there are some black metal-like moments in this one as well- I’m reminded of American black metal in the realm of Panopticon at about 3:32. The classical riffing towards the end of the track is also fun, and makes me smile as someone who grew up on classical music, and Anxietous Nero’s scream right after it makes me want to scream along.

The graphic design also complements the album really well. The lyrics and artwork are rendered in a bold bronze shade, evoking the image of the torture device from which the album takes its name. Likewise, I really like the contrast between the black and the bronze; while the riffs are extremely heavy, the guitar solos are like flashes of light. Using such sharply contrasting colors mimics these techniques in a visual sense.

Front cover

Front cover

The flames to accompany the bull

The flames to accompany the bull

Liner notes. I really love how the rust color pops on the black.

Liner notes. I really love how the rust color pops on the black

And the CD itself

And the CD itself

The jury is still out for me when it comes to the production on ItBB. It’s a little fuzzy, which is nice because it gives the sound an old school feel, but it’s still bright enough to allow for the guitar solos to come through and the lyrics to be heard. Certainly the sound has a density to it, but the brightness of the guitars makes them stick out of the mix ever so slightly. As a friend pointed out, though, your ears quickly adjust to the mix, making it difficult to notice any weirdness in the production.

Into the Brazen Bull truly deserves all the accolades that it has received thus far, as well as much more. Catchy from beginning to end, the album incorporates an old school, punky death metal style with an original flair. And don’t just take my word for it, give it a listen for yourself. You can find the album on House of Atreus’ bandcamp page here.

Hagalaz’ Favorite Tracks:
Bastards on the Hillside
Into the Brazen Bull




For the Love of Live Music, Consider Signing This Petition

Posted in black metal, blackened death metal, blackened doom, concerts, crossover thrash, crust, death metal, doom, DSBM, folk metal, grindcore, hardcore, local, musings, post-black metal, prog metal, psychedelic rock, punk, retro occult rock, sludge metal, stoner metal, thrash, traditional heavy metal, true norwegian black metal, underground, USBM, viking metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 3, 2013 by blackmetallurgy

This petition came to my attention the other day via a friend on Facebook, and I wanted to post it here so that you could sign it if you haven’t. The Canadian government apparently wants to drastically increase the amount of money that musicians have to pay to tour there, which will not only cut down on the amount of live music that Canadians will get to see, but will also be very harmful to small venues and businesses. I don’t think I need to go far towards explaining that for metal bands other than, say, Metallica and their ilk, this legislation is very bad news- any smaller metal bands will be right out of the running for getting to tour Canada. As I am now living in a routine stop on the way to Winnipeg, I can assure you, Canadian metal fans, you don’t want this thing to pass. Marduk and Inquisition are just a couple of bands in the past year that have come up your way. And of course, that is not to mention the smaller bands trying to get off the ground; False just played in Canada, for instance. This cost increase passes and they won’t be able to again.

So please consider adding your signature to the petition if you haven’t already. I did, and I hate signing up for things on the internet. And tell your friends, too, because this is an issue that affects ALL music genres.

Concert: Maledicere/Atrum Inritus/Sacrificial Massacre/Fin/House of Atreus (7/27, Terminal Bar, Minneapolis, MN)

Posted in black metal, blackened death metal, concerts, death metal, local, terminal bar, united states, USBM with tags , , , , , , , , , , on August 5, 2013 by blackmetallurgy

Behold Barbarity put together this show back in the spring, and Kommandant was supposed to play originally, but when Station 4 closed for the summer, there was no other venue with a stage big enough to reasonably hold seven people. Between that and Burning Bethlehem disbanding, the bill for this one shifted quite a bit before the final lineup was settled. Local black metallers Maledicere landed the headlining spot, which proved to be quite nice as it will be their last show for a while (Luke is moving to New York; best of luck to him).

House of Atreus started off the night with their brand of thrashy death metal. I really enjoyed them earlier in the spring, and they were really good this time as well. Along with original music they played Absurd and Slayer covers, and I found myself particularly impressed with Andy’s guitar solos (and Dan’s black metal shrieks. That was fun). The only downside was the sound; overall it was fine, but the vocals kept dropping out, taking the bass with them one time. That was not the band’s fault at all, of course, and it’s unfortunate that House of Atreus’ set was the one most plagued with sound problems.

[Audio on this is a little boomy. Sorry. You get the idea.]

Next up was Fin from Chicago, who I believe were the special guests of the evening. I had absolutely no idea who they were, but they played blackened melodic death metal, so I dug it. They also marked the beginning of the night’s stage decorations, with army helmets and other war themed props strewn across the stage. I always like watching two man black metal because it always impresses the shit out of me, and Fin was no exception. I was able to talk with their drummer briefly throughout the evening, and he was very nice and gracious, as well as very complimentary of the other bands (nice dudes rule. Seriously). Sacrificial Massacre joined them onstage to do guest vocals on one song as well, which was an unexpected treat.

[There were only two people playing at the show I saw- the guitarist on the right and the drummer.]

Sacrificial Massacre was next, upping the ante in terms of stage performance. They started their set with a sort of ritual, of which I got a picture that is complete crap (so I’m not going to post it. Seriously, you can’t see anything). The stage was bedecked with animal bones and skulls, the band members smeared with corpsepaint with red accents. Probably the coolest part of their set was the way they mixed Aztec themes with blistering black metal. It was neatly done and a very refreshing and innovative take on black metal, and with the exception of Maledicere, this was the set in which I banged my head the hardest.

Atrum Inritus was the fourth band of the evening, and provided a nice contrast right after Sacrificial Massacre. As is their wont, they brought out all the stops in terms of making the stage into a Satanic ritual chamber, complete with a giant crucifix (inverted, of course) that spent some time in the hands of the audience. Despite a small issue with a guitar strap, the set seemed to go flawlessly; whoever was in the sound booth was even paying attention, as I think this was the first set of the night to not have the vocals drop out at some point. I made sure to pick up one of their patches for the battle jacket.

Maledicere was incredible, as I knew they would be. They didn’t play There Are Wolves, but it was amazing to hear Hail the Black Faith on the eve of what is likely the last hurrah for this band for a great while. I was also glad to see Neil play with Maledicere again, as it was his last show with the band (if you haven’t checked out his blog yet over at Into the Void Records, you totally should. Neil is a badass.) The set, whether intentionally or not, had a bit of a celebratory feel to it; you could definitely feel that there was something special in the air, especially on the last couple of songs. And of course, the show is not complete without a few rotting sheep heads. These had snot dripping off them. I didn’t notice any sound issues at this point, and I’m glad. Maledicere is a really awesome band, and they deserve to have their final show before hiatus go really well.

This show was a great night; a long night, but a good one. I really liked the way that the bands complemented each other while all sounding completely different, and it was nice to see such camaraderie between the local bands and the visiting ones. Everyone played killer sets, despite the bad sound for the majority of the show, and it was absolutely lovely for me to get to hang out with so many friends in one place. Even though it will be sad to see Maledicere go for a while, the performance went off without a hitch in my opinion, and provided a great way to end an era.

Doomy review upcoming. And then I get to see False tomorrow, so that will come too. And more. And more. Because I have to go to all the things before school starts and I have to start being selective again. SLEEP IS FOR THE WEAK.

Concert: (Not)Castle/The Terrordactyls/Ashen/Mordwolf (7/23, The Hexagon, Minneapolis, MN)

Posted in concerts, crossover thrash, crust, death metal, doom, local, minneapolis, minneapolis/st. paul, thrash, underground, united states with tags , , , , , , , , , , , , , , on July 29, 2013 by blackmetallurgy

Last Tuesday, Castle was supposed to play at the Hexagon but ended up cancelling their tour, so the show ended up being three local bands instead. I was sort of disappointed, of course; I love me some doom metal. But at the same time I also like supporting local acts when I can, especially when I know people in them, and I wanted to see The Terrordactyls again after they completely floored me and M at the Holy Grail show.

This was also my first time at the Hexagon, which has a parking lot (YES!!! Sorry. As someone who goes to shows alone sometimes, I like parking lots). I briefly panicked when I walked in and saw a bunch of older dudes sitting around at the bar, but then I found the stage in the back. As a venue it was fine; a little divey, but I’m used to those places and I am fond of them. They also had a bar in the stage area so the two crowds didn’t have to intermingle if they didn’t want to.

Mordwolf was up first, and I really enjoyed their set. I saw them once before when they opened for Municipal Waste/Napalm Death last November, and I believe I was really into them then as well. Although I am very picky about my death metal, I tend to gravitate towards the punkier death metal that Mordwolf plays. Apparently they are working on a full-length album, which I am looking forward to hearing. Hopefully I’ll see them play more, too.

Ashen, a crusty doom band, filled the second spot on the bill. They were fine; I admit I got a little bored, and that’s saying something considering the doom bender I’ve been on lately. However, it was appropriately heavy, which is something I always appreciate, especially in slower, sludgier genres of metal. And as always, it was nice to have two girls up there on stage (the vocalist/guitarist was a guy). Satan knows we need more girls at these things. (Couldn’t find video of these guys, and I will post some if I stumble across it, but they have a SoundCloud you can get to from the above link).

The Terrordactyls took the last set, and were pretty much everything I had expected they would be-another really strong set. There was even a pretty good mosh pit going for a few minutes, carried on throughout the night by one intrepid young man who was going to mosh, dammit, even if he was the only one doing so. That’s the kind of atmosphere you want during a thrash set, however, and once again I left pretty bummed that The Terrordactyls are only going to be around for a few more weeks.

Of course, because of that, I had to buy a shirt to stand as a testament in my closet to the fact that The Terrordactyls once existed.  That the design is based off of Kreator’s Pleasure To Kill just makes it even more awesome.


I’m really glad I went out to this show. My friends that normally go with me to stuff bailed on me as they were either sick or busy, and, hating to go to stuff alone, I almost opted out. But I didn’t, and I ended up hanging out with a couple of good friends there as well as getting to see a really good local show and support my pals in Mordwolf and The Terrordactyls (I don’t know anyone in Ashen. Alas).

More live reports coming up, as that is apparently what I am doing for the next month. Seriously, I think I’m going to a show every week. And why not? One last month of live, loud music before the semester starts and I have to start being picky about what I go to because of school. Bring it, Minneapolis/St. Paul.


Concert: Ambassador Gun/Sadgiqacea/Hivelords/Poney (7/19, Nomad’s World Pub, Minneapolis, MN)

Posted in black metal, blackened doom, concerts, doom, grindcore, hardcore, local, minneapolis, minneapolis/st. paul, psychedelic rock, punk, sludge metal, stoner metal, underground, united states, USBM with tags , , , , , , , , , , , , , , , , , on July 26, 2013 by blackmetallurgy

(I am going to start linking to bandcamp in here when I can, so that you can listen to more music and buy more music and support more of these guys. OK? You’re welcome.)

Last Friday I was hanging out at Into the Void when my friend M called me to see if I wanted to go with him, his girlfriend, and a mutual friend to see Sadgiqacea, his friend’s black metal band, play with local legends Ambassador Gun. So of course I said yes, because I love me some live music. The show was at Nomad’s World Pub, a small venue that seemed mostly populated, at least this time, by hipsters and crustpunks. Though small, it was a nice place, and they had a huge tap list as well if that is your thing. The patios, I thought, were particularly nice, especially on a balmy summer night. The sound was good as far as I could tell, but it was insanely loud as well, so

Poney from Madison, WI started off the night with a set of psychedelic/stoner inspired hardcore. They played all the material from their new record as well as several other songs. I really enjoyed their set, and thought that the interchanging vocals were really a cool effect, if not always in tune. Probably my favorite aspect of the music was the percussion; along with a drummer, Poney has another percussionist who uses mallets and other techniques with his drumkit. Looking forward to hopefully seeing these guys again soon.

[Two drummers. Rad.]

Hivelords was up next, and they completely destroyed. After their set, I went to fetch extra earplugs for my friends from the car because the noise levels were pretty much devastating. Hailing from Philadelphia, PA, Hivelords plays crushing, doom-saturated black metal, with the vocalist using the old grindcore two-mic technique and echo sound effects. The result is deafening and incredible. I was completely blown away by these guys, and have been pushing them on my friends since.

[Hivelords is devastating in the best way possible.]

Unfortunately I missed most of Sadgiqacea’s set. I was absolutely famished, and skipped over to grab a burrito at Hard Times. I did manage to catch most of the last song, however, and what I heard I really liked. Sadgiqacea also plays a mix of sludge, doom, and psychedelic black metal (and are also, incidentally from Philly). I am going to have to spend some more time with their catalog as I really like what I did hear, and I’m bummed that I missed out on their set.

[I will never stop being impressed by how well you can make incredible black metal with just two dedicated dudes.]

After getting my face obliterated by some of the most crushing live black metal I’ve ever witnessed, Ambassador Gun was unfortunately kind of a letdown. M has seen them before and says that he felt like they were definitely having an off night; one of the vocalists was not in his normal register, he said, so he could tell something was wrong. Even the crowd seemed to have a little trouble getting into the music. Nevertheless, Ambassador Gun’s blend of grind, punk, and metal was enjoyable enough to me. I had come to hear some noise and screaming, and they made sure I did not go home disappointed. I know these guys are a Minneapolis staple and I’d like to see them again sometime when they are having a better night. I also remembered that they played at Maryland Deathfest this year; another indication that I really ought to pick up tickets for the punk stage next time as well.

[Noisy noise.]

I like to support touring bands, and when they are friends or friends of friends I like it even more, so I gave Sadgiqacea and Hivelords the rest of the money in my pocket for gas and took home a sweet Hivelords patch for the old battle jacket. I also picked up a flier and sticker for FTG Illustrations, the work of Sadgiqacea’s drummer (he did their album artwork), in case anyone is looking for album art. After the show, I spent some time hanging out with M and company as well as Hivelords and Sadgiqacea, who were crashing at his place. I am now even more convinced that I need a house so I can put people up, because I love cooking for people and because, as I have bemoaned before, metal bands don’t typically have the support in the underground that the punks do.


I had a really good time for a show I decided to go to on a sudden invite, and I’m really, really glad I went. Poney was excellent, and Hivelords completely destroyed, as did Sadgiqacea, the small part I saw of their set. I’m looking forward to seeing Ambassador Gun on a better night, as I know they are a big deal, and unfortunately theirs was the weakest set of the night. More reviews coming soon, as I can’t not go to things, including the not-Castle show that took place on Tuesday and the Maledicere show tomorrow  (it’s going to be awesome. Stoked).


Gratuitous Birthday Post 2013

Posted in black metal, doom, france, grindcore, local, musings, sludge metal, thrash with tags , , , , , , , , , , , , , , , , , , on June 29, 2013 by blackmetallurgy

This post is from yesterday, which was my birthday, for real. But because the internet at the hotel only wanted me to use Chrome, and Chrome likes to eat my links, I saved it until now. Here it is!


Here it is, ladies and gentlemen, my gratuitous birthday post of “things I am currently listening to” on June 28, 2013. Happy Birthday to me, happy birthday to Jon Nödtveidt (R.I.C.), and happy birthday to Frost. Because June 28 is a great day for birthdays and black metal.

Again, the list goes to 11, because Chaos and Spinal Tap and all that jazz. Without further ado, your black metal blog-ess has been listening to:

1. Aosoth- Under Nails and Fingertips

I’ve already ranted and raved about how much I love Aosoth’s new album, as well as the devastating effect they had on me at Deathfest this year. Because I can’t get enough of IV: An Arrow in Heart, this one has pretty much stayed on circulation for me this year.

2. Blut Aus Nord- …The Meditant (Dialogue with the Stars)

I recently purchased my very first Blut Aus Nord album (ludicrous, I know, especially considering how much I love French black metal), Memoria Vetusta II: Dialogue With The Stars. This has quickly become one of my favorite albums; it is glorious, and I want to drive out to the middle of nowhere and listen to it under the stars.

3. Kylesa- We’re Taking This

I had never heard Kylesa before a couple of months ago, and I wasn’t sure what to make of them at first. Since then, however, they have really grown on me, and now I can’t get enough of this sludgy stuff. I really love their new album Ultraviolet (which I am going to review, I promise. I am at a conference right now); this is from that.

4. Cough- Crooked Spine

Speaking of the South and slow things, Southern doom has also been on my radar a lot lately. Cough is pretty indicative of the stuff I’m talking about; Pallbearer as well.

5. Kreator- Command of the Blade

I am ashamed to admit that Kreator has been one of those gaping holes in my collection. Recently, however, I bought a used copy of Pleasure To Kill off my friend, and I have been digging the hell out of it. Thrash is a genre I skipped (except for Metallica, but that’s not special. Growing up in Oklahoma everyone is into Metallica), and I’m really enjoying navigating it.

6. Katharsis- The Last Wound

As far as black metal I should know but never really listened to goes, Katharsis is high on the list. I have been making it a point to listen to bands that I have seen everyone post but me, and so I’ve been spinning these guys lately.

7. Ptahil- The Black Fire

Although I still listen to A LOT of black metal, make no mistake, I have been listening to a lot more black metal genre-melding stuff lately, including blackened doom. Ptahil is from Indiana, and I saw them open for Black Witchery recently.

8. Candlemass- Samarithan

Really? When am I not listening to Candlemass? Now I own the Nightfall reissue on vinyl (it is BEAUTIFUL) as well as their 2005 s/t release, so I listen to them more than ever.

9. Sacramentum- When Night Surrounds Me

When school was ending for the semester, I went into Into the Void to buy myself a copy of Pilgrim’s Misery Wizard (Really. Serious doom kick), and my friend told me that if I didn’t buy this Sacramentum record we weren’t friends. So I did, and I love it. I am not willing to say it is better than Storm of the Light’s Bane; it is different than Storm of the Light’s Bane. But I don’t know that I could rank this album below it, either.

10. Holy Grail- Call of Valhalla

Holy Grail is one of those bands that I checked out because they are playing here soon, and I want to go to the show (the same thing happened with Kylesa). The result was the same as what usually happens when I listen to traditional heavy metal, which is that I think I should listen to more traditional heavy metal. Looking forward to seeing these guys live.

11. Black Market Fetus- Blinded By the Cross

Because every good playlist needs grindcore. Alas, I only got to see Black Market Fetus play once before they disbanded, but they were one of my favorite local bands when I lived in Iowa, and are one of my favorite grind bands ever.

…And that’s all folks. As you can see, DOOM.

‘Til next time.

Concert: Absu/Maledicere/False/Nuklear Frost (4/19, St. Paul, MN, Station 4)

Posted in black metal, concerts, local, united states, USBM with tags , , , , , , , , , , , , on April 26, 2013 by blackmetallurgy

**Edited 2/8/14- Because of some erroneous reporting on my part about the number of guitarists in Nuklear Frost. Sorry ’bout that guys.**

Last Friday I went down to Station 4 with a friend of mine to see Absu, as well as a sampling of some of the Twin Cities’ finest black metal. We got to the venue early, about the time the doors opened, although the show didn’t start for another hour (Station 4 should start posting that. I mean, it was fine. We hung out and talked. But still). The crowd was a weird size; big enough to call it a good turnout, but certainly not as good as it could have been. About ¾ of the crowd was up in the bar all night, too, so it was hard to judge how many people were there. It was a good natured crowd for the most part, though, and they seemed to enjoy the show.

First up was Nuklear Frost, about whom I know very little. Their set was good; the vocals, however, were a little hit or miss for me. Sometimes I really liked them and at other times I was less impressed. I did find it cool that all of the members (minus the drummer) did vocals at some point. In moments, they reminded me of Inquisition with the layering of the guitar sound, despite there being only one guitar player. It was a perfectly fine black metal set, and I am looking forward to seeing more from this band and getting to know their music a little better.

I wasn’t able to find a video of Nuklear Frost on YouTube, but here is a link to their Bandcamp page, where you can listen to a song from their demo.

The next band on the bill was False, who I have been dying to see again since I saw them in January. False was absolutely incredible, just as last time. They played two songs again, a new one that hasn’t been recorded yet and Heavy as a Church Tower. It was also interesting to see them in a different performance space; unlike at Cause, Rachel couldn’t jump down into the crowd, so she paced back and forth on the stage instead. She looked like a freaking lioness up there stalking her prey. Amazing.

[From the Gilead Media fest last year that I, unfortunately, had to miss. I might be a False fangirl]

Maledicere was the third band on the bill. I looked them up when I saw they were on the bill, and in that short time they have become another of my favorite local bands. They play more traditional black metal, so it was kind of cool to see them right after False. Their set was as tight as expected, and the ambiance was nice as well. They had some incense burning on the stage, and it was a little strong for my tastes (and by strong I mean it made my eyes water), but it was a cool effect. Reminded me of going to mass at Christmas (the Catholic Church is the only place I’ve seen with as potent incense). Great band, and I’m really happy I got to see them perform live.

[This video is a little old, but this song is one of my favorites on the album]

Absu took the stage next, and they were freaking incredible. Coming into it, I had wondered if Proscriptor McGovern would play drums and do vocals when they played live, and he did- the live set up was much like it is on the albums, with most of the vocals handled by Proscriptor McGovern and some of them by the bassist. After the first couple of songs, they announced that they would be playing for the next 93 minutes, and while I’m not sure if it was exactly that long, it was very close. It was a long set.

Absu’s set was incredible- I would have thrashed around to it more, but my neck was still in recovery from Paganfest the week before. They played songs from all throughout their catalog- Never Blow Out the Eastern Candle, Abraxus Connexus, Vorago (Spell 182), and Swords and Leather, just to name a few. They also played Amy, which was the first Absu song I ever heard long ago while listening to Pandora. For the final song, they had another guy (I didn’t see who he was or where he came from) play drums, and Proscriptor McGovern came up front in a shearling coat and fringed boots to do vocals. His stage presence was incredible both behind the kit and in front of it. It was a long set and a great one, and I’m really glad I got to see it.

I decided to spend my merch money on the local acts tonight, as I just recently acquired an Absu album. I ended up going home with the False/Barghest split (which came with a gigantic poster) and a copy of Maledicere’s full length album Leave Only What Is Fit To Burn. I feel really fortunate to live in a place with such fantastic black metal. We don’t have much of that where I come from (although there are some brilliant Texas bands, too. See Absu).

In true black metal fashion, Maledicere's album refuses to take a good picture. This was the best I could do. Maybe it's the red?

In true black metal fashion, Maledicere’s album refuses to take a good picture. This was the best I could do. Maybe it’s the red?

False/Barghest split.

False/Barghest split.

The monstrously huge poster that came with the record.

The monstrously huge poster that came with the record.

Basically, Absu is incredible. I’m not sure how much longer this tour is going on, but if you get a chance to catch them, you should totally do it. You will definitely get your money’s worth- a little over an hour and a half of Absu makes me happy indeed. Proscriptor McGovern is dumbfoundingly awesome to watch, even when dressed up like some of the sorority girls from campus, and the band on the whole has great stage presence. Get thee hence and see Absu when you can, and if you’re from the Twin Cities, or even if you’re not, be sure and check out False, Maledicere, and Nuklear Frost.


P.S. I’m going to hold myself to a post a week, at least until school is out. Then I’ll have more time to write…